Walking home




Sharp intervals



Sharp Intervals 

Assaulted by tone

The guise of caring Read the rest of this entry »

A Reminder


onionA Reminder

The onion gives tears.
Crying for only the joy
you bring me each day.
While tartness of the cherries
seduces me as you smile.
Tina Hudak   ©2016

This is my attempt writing a Tanka poem which I dedicate to my students at St. Alban’s School in Washington, D.C. They inspire me. They are my onions and my cherries. I expect & hope for them to supass me in 2017. cherry

A blessed winter




Not in the gutteral fragments

of the broken words,

But in the singing of the birds,

in the whispering of the leaves

Where life speaks, and the

soul find rest.

Tina Hudak 1995©
Watercolor by Sam Graul 1996©



Moments when exhaustion meets human nature puts me back in touch with my animal nature. And so it begins. Each evening, after a ten-hour work day at school, I curl up on the sofa with cat in lap to groom him. Running my fingers through his fur, up and down his back, stopping to feel bumps on his head, I am a  ruthless mama searching for fleas to kill. This is a generous season for insects. Fall brings dry, hot weather when it should be damp and cool. Eggs hatch. Gnats fly. Fleas are carried in on the back of my wild feline.

Now, confined until the first freeze, we both have lost our ways. We strain against confinement, routine; we mourn the loss of the unexpected. There is no balance, for neither feels the joy of feral surge. We are tethered to room after room after room.

Damn this weather. Damn these fleas.  


Nuclear war



During the 1960s, I grow up under the constant threat of nuclear war. As an elementary student, I practice “duck and cover” regularly in my hometown of Bethlehem, PA. A booming steel town where everyone is certain we would be a first target; in the 1970s this fear haunts my dreams; the 1980s, the fear of nuclear war surfaces again. Non-profit organizations rally our generation to action resulting in strong advocacy for peace by women of my generation*. I play my small part through art – “duck and cover” long gone as real response. Now, it is back. In today’s Washington Post Op-Ed section appears a piece – “Why is Trump suddenly talking about World War III?“.

A coincidence. There is this, dear reader. I participate in a wonderful online writing group – Juncture – with Philadelphia writer Beth Kephart. She sends out a “new” writing prompt – not about war, not about childhood – but this is my response.

She seems so tall, my mother, as I look up at her sideways. Her profile, shoulder-length hair, dark and thick, falls in gentle waves. The white shirtwaist dress worn with a large leather belt around her slim waist. She is beautiful, my mother. She is worried. I can tell this easily, as our neighbor barges in through our front door. I see her face change – softened to furrowed brow, relaxed to taut jawline, ruby red lips at the edge of a smile to one that is frowning.

I pull at her hand, the one where her arm rests against her side while the other holds her waist tightly. She turns her head slowly, tilted so she can meet my questions. It is only then I see the fear. Her eyes are filled up with fear. I know this is bad. I know not to ask, but I will. I need to know what news walked in so boldly without a second thought to us. Yes, right through that door – the one that is always open, always welcoming.  She speaks softly – not to me, not to anyone but herself. Perhaps she needs hearing this said aloud. Her voice needing to carry the weight of the words. “Kennedy is sending ships toward Cuba. This is World War III.”

Truth told. I do not believe in coincidence.

* This calligraphy exhibit, organized by Phyllis Goodnow in 1984, travelled to many sites including the U.S. House of Representatives, Cannon Office Bldg. in the Rotunda, Sidwell Friends School in Washington, D.C. Hood College in Frederick, Md. and more.
Applebaum, Anne. “Why Is Trump Suddenly Talking About World War III?” The Washington Post [Washington, D.C.] 30 Oct. 2016, Metropolitan Washington ed., sec. A: A21. The Washington Post. The Washington Post, 28 Oct. 2016. Web. 30 Oct. 2016.




…value dignity in the face of battering conditions.” Beth Kephart

reqieum2The ritual of faith in my childhood taught me to look at death. Directly. Unflinchingly. At seven years of age, I sang in our school’s children’s choir for every funeral. Hidden away in the great ceiling, a small loft for even smaller children.The great organ dwarfing our statures. Both beloved and severe, the choir mistress stands erect, in black, baton in hand. Cold eyes piercing through the young’s urge to giggle – to fend off sorrow. A Gregorian chant of “Requiem aeternam”  begins. We are consumed by solemnity. Only our voices echoing within the high walls to greet the slow procession for the dead. The bowed heads covered in black lace. The straight backs of men in dark suits, like soldiers. Stepping carefully to muffle the clipped sounds of their wingtips against the hard tiled floors echoing against the monophonic repetition. The mantra of children – of innocence –  to greet death. To relieve the sorrowful burdens from the shoulders of the unknown. Of the adults.

An initiation for the loss in my future.  So many deaths, it seems, that every one is personal. The prayers rise up for love incarnate – my mother, my father, my sister-in-law, my childhood friend to those splashed across the newspapers. The drown Syrian child on Greece’s rocky coast, the African-American father lying dead on the street in Charleston, the babes and their teachers in Newton, the street carnage of Paris’s les jeunesses… on and on.

Far from my childhood in months and years, the “Requiem aeternam” resonates. Now, it is my head bowed, my back that is straight. Faith remains the constant.

This post is dedicated to the choristers, past and present, of St. Alban’s School for Boys, where their voices fill me with longing.



recipe-001The Christmas season. On our table standing proudly are these basic ingredients: Pillsbury flour, Land O’Lakes butter, Philadelphia brand cream cheese and Rumford’s baking powder – the one in the small, red can. Next to this are her utensils: a large stoneware bowl to mix the pastry, glass measuring cups and inexpensive aluminum measuring spoons, a knife from our everyday set, and a well-worn, wooden rolling-pin. My Aunt Agnes Check’s recipe – a blending of Slovak family heritage with Italian sensibilities. A new heritage.

Pounds of Diamond’s unshelled walnuts wait for my mother and me on this winter evening – a school night. We sit at the white porcelain kitchen table-top that my parents purchased when they were newlyweds. Metal nutcrackers in hand, we sit together in a comfortable silence and begin to squeeze and crack. It is tough work for a ten-year old. Repetitive. Detailed. Inexperienced, I laboriously pick out the bits and pieces of meat left behind in the inner shells – spaces dark and convoluted in nature. My mother’s pile is substantive while mine – quite a pitiful showing for the attention I am dedicating to this task – fill only a cup.  Our conversations alleviate the tediousness; our banter brightens the evening hours. We talk of the nuns, my teachers; the friends and the cliques to which I belong and those where I am shunned, already at a tender age. Back to family, she carefully guides the talk, of Christmas gifts, wrappings, of course, eating. Ham or turkey? Both kinds of potatoes? My hands begin to hurt, but I am loathe to leave. Feeling as if I am caught in some dark fairy-tale with the impossible task, I persevere not for my survival, but for my mother’s love.




My son, plugged in, and baking kiffles for the holidays. Same recipe; different generation.


5 September 2016, Labor Day, U.S.

Milý dedo,

There is a muchness in my life, and you are the  invisible force in its creation. Will language be a barrier? My tongue is ready to imitate the “chs” and rolling “r”s, but I am so sorry to disappoint you, drahá dedo, but my few Slovak words have slipped away from my childhood, along with you.

For your son, my father – Joseph, thank you. Resemblance between father and son was obvious. There are few black and white photographs of you; ones that my tety proudly display in their slightly tarnished silver frames. There you sit in your stiff, formal suit looking stern and slightly possessive of your wife, my baba. Yes, dedo, my father had that look, your face, your lines, although his evoked protectiveness, rather than possessive. Perhaps you were that way too? Protective of your fifteen children and wife. Yes. I will think of you in this light. For you are my beloved father’s father.

Joseph, your son, too, had a strong Catholic faith. This devotion was not only to be found in the pews of Sts. Cyril and Methodius, but sitting at the kitchen table, sharing the five o’clock dinner, only after we all were seated; after the blessing, hands folded.  This, every day of his long life. Reliably loving. This must be what you carried with you from Demite to Bethlehem.  In your bones and blood. This faith. This steadfastness. How else could you, #800111040064, have boarded that massive immigrant ship with other Hungarian-Slovaks, and Finns, Swedes, Germans, Russians, all strangers going to this place unknown, speaking a language that pains the ear – no diacritical markings to soften a hard alphabet?  This devotion that could not be shaken. You gifted my father, and then, me, with these qualities. Again, ďakujem, for these gifts have saved my life.

When you fell from that forty-foot steel-mill platform in 1936, your devotion to family did not die along with you. How could you know, even then, that it would be your third-born son, Joseph, never to finished high-school, who would take up your mantle? How could you know that he would put aside his mathematical brilliance, forgo offers of college, and go to labor where you died? Working the “shift.” How could you know that he would be the son who stayed home on the South Side to care for his bereft mother and the remaining thirteen siblings? How could you know that he would never carry a bitterness for lost opportunities while his oldest and youngest brothers were college-bound, the star athletes at Catholic universities? He remained on 6th Street; never wavering, walking up and down the steep incline, metal lunch pail in hand.  Countless Good Fridays of potatoes and buttermilk.*  Atonement. My father was dutiful, môj dedko. Always.

I imagine you. Like this. Steadfast. Reserved. Dutiful. Filled with a love for your God, your new country, and above all, your family. I would have loved to hold your calloused hand, to feel the tickle of your moustache, to see the softness in those eyes that saw such hardship. I imagine this. That my father was like you. I imagine that  you would have loved me, too, moj dedo.

Vaše vnučka,  Tina Hudak



* “Good Friday was a day of complete fast and abstinence during which the priest removed the purple veils from all the statues in order to reveal the crucified Christ and all His martyrs. On this day Slovaks generally ate only baked,skinned potatoes and sour milk” (Stolarik 79).


Works cited:

“Falls To Death Bethlehem, George Hudak, 57, Fell 40 Feet to His Death from a Platform at the Bethlehem Steel Company’s Plant.” Wilkes-Barre Times Leader [Wilkes-Barre, PA] 30 July 1936, Evening News sec.: 9. Wilkes-Barre Times Leader, The Evening News. Wilkes-Barre Times Leader. Web. 3 Sept. 2016. Need to sign-up for access to electronic edition.

Stolarik, M. Mark.  Growing Up on the South Side: Three Generations of Slovaks in Bethlehem, Pennsylvania, 18080-1976.  Lewisburg: Bucknell University Press, 1985. Print.


The enclosed space, perhaps an afterthought, at the back of our house  is small. The size reminds me of our inexpensive rug. One that the working class buys, bordering on gaudy, to show that they too, have dreams of more. Here, windows are everywhere. They gaze back with tired faces encased in layers of hardened enamel paint. Pure white, because it is cheap. Chipped from years of opening and closing, despite their thickness. The early morning summer sun blinds the eyes. Brittle paper shades carefully rolled onto wooden rods are tinged brown. Weathered, they remain serviceable still, for this family of the sewing mills and steel yards in Pennsylvania.

My mother pulls on silky braided cords dangling at the shades’ edges. Faded from sun and use, they too, remain serviceable closing out the blistering heat – heat that runs through this long, narrow house of brick as fans whirl. She shuts out the Angelus blue morning-glories. Silently, I watch her, but do not enter. Waiting, as only a good Catholic girl can, waiting for her to relinquish this room. This back porch.

My world. To a small seven-year old girl it is an immense space with infinite possibilities. Closing the kitchen door softly – the shared kitchen door of my mother’s world – brown & white saddle-shoed feet enter. They are eager, but silent. Alone. Breathing in the heat, the tepid air, the wonder of it all.

To balance my life this school year, I have begun an online writing course with author, Beth Kephart. Grateful. Grateful to be able to mesh feelings, words, and imagery for so inspiring a teacher.

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